Graphically violent movie filled with “lesbian aggression” cliches. After a lifetime of abuse from all sides, S. is already on the edge mentally when she kills her philandering boyfriend and his new lover. Now on the run, S. tries to make things right in her inner world by killing everyone who crosses her. Trouble is, she’s taken a serious liking to all this sex-and-killing stuff…yikes!

S. (sub)
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Movie Description
A beautiful, but emotionally damaged bisexual woman known only as S. (Natali Broods) searches for love and purpose in this violent, sexy film. Fleeing from her loser boyfriend in New York, S. lands a job in a peepshow in Brussels and has a relationship with fellow stripper, Marie. But even love can’t stop her downward spiral. Every other person she encounters is bad news. S. is on a crusade to reclaim her dignity and the dignity of her gender through violence. Containing graphic sex, the stunning cinematography has been critically hailed. This visually amazing and groundbreaking film is the techo European New Wave version of the Abel Ferrara cult classic "Ms. .45."
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Customer Reviews

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An erotic road-movie about people that are going round in circles. It’s about a girl, S., who is dangling between Brussels and New York, boys and girls, love and hate, life and death. She has a mother, a father, a boyfriend and a girlfriend, but none of them are any good to her. Written by Hannelore Goossens

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A woman kills her boyfriend and the woman he’s sleeping around with after they had sex which she recorded (original). After this she starts to get obsessed with sex and killing, and she gets more excited every time and is going mental while she seeks her own identity.

One of the strongest points of the movie are the extremely offending scenes and trust me they will offend you. The level of controversy is truly amazing.

The negative side of the story is that this movie is somewhat forced, it clearly was designed to be controversial and sometimes it’s hard to go along with the story.

The filming is perfect, very dark and regularly uses her personal cam, which greatly adds to the realism of the film (like Blair Witch, only selected scenes). Also the director uses a scene where she drives in a car during the night every time her level of mental behaviour advances. The main character is very well played, Natali Broods shows to have no limits to her acting, she’ll do anything and she’ll do it well, truly amazing (she needs to work on her English). Also the dialogue is perfectly mixed, very strong humour at the cruelest moments.

This movie is most certainly worth your time. Go watch, I promise you never saw this before and you can’t predict how the story will evolve.

The movie is definitely a work of art worth watching. However, experienced movie viewers only.

Author: Joep M. Prommenshenckel from Delft, Netherlands